10 in / 4 out USB audio interface • Single independent headphone output • Expandable via ADAT input
18 in / 8 out USB audio interface • 4 independent line outputs • 2 headphone outputs • SPDIF i/o
18in / 20 out USB audio interface • Independent word clock output on BNC • Detailed hardware metering for inputs and main monitor outputs • A wealth of connectivity in a 1U rack space
8-channel 24-bit/192kHz A-D and D-A with eight Microphone Preamplifiers and eight analogue line outputs • Great-sounding Clarett mic preamps include Focusrite's switchable 'Air' effect, giving microphones the air and clarity of an ISA transformer-based mic preamp. With two front-panel instrument inputs and outstanding dynamic range, Clarett OctoPre includes eight line outputs that can be fed from the D-As or from the mic pres. Ideal for extending the capabilities of a Clarett interface - or any other interface fitted with ADAT optical inputs and outputs.
16 channels of analogue input and output with up to 119dB dynamic range on DB25 connectors wired to AES59 spec, plus two channels of AES/EBU I/O with sample rate conversion on XLR connectors. Conversion to and from the Dante network is carried out at standard rates up to 192kHz/24 bit, with pull-up/down capability • Clock source may be internal, or external via Word Clock or DARS (the latter via the AES XLR input). The unit also outputs Word Clock. RedNet A16R features soft-startup on power-up and auto-muting during sample rate alteration, to avoid audible clicks and pops. Comprehensive front-panel LEDs include PSU and network status, sample rate and per-channel tri-colour signal level indication • Dual power supplies with cable retaining clips on the power sockets are switched automatically in the event of power failure, while dual Ethernet interfaces with etherCON locking connectors can be operated either in Redundant mode, where they will switch over automatically in the event of failure, or Switched mode where additional devices may be daisy-chained to the secondary port. Operation modes, interface levels and other parameters are selected remotely.
16-channel bi-directional analogue interface for Dante networks, with additional two-channel AES3 I/O • Precision A-D and D-A conversion with 119dB dynamic range, flat from 20Hz - 20 kHz (+/- 0.15dB) • Individual input/output channel level control using RedNet Control software • Dual PSUs with locking IEC inlets.• Dual locking etherCON connectors for Primary and Secondary network connections • Power supply and ethernet redundancy with auto switchover in case of failure.• Front-panel LED indicators for PSU, network, sample rate, signal present and clock source status • Sample rate conversion on the AES3 inputs allows external equipment to run at any sample rate • Analogue I/O on four AES59 standard DB25 connectors • Digital I/O on a pair of XLR connectors (AES3) • Rear panel XLR connector can either be used as a DARS input or as a traditional AES3 audio input • BNC connectors for Word Clock input and output • Compact 1U chassis allows maximum functionality in minimum rack space • AES67 and AES70 compliant • SMPTE ST 2110 compliant when used with Dante Domain Manager (sold separately) • Full operability with Focusrite RedNet and Red interfaces, plus all Dante devices from hundreds of manufacturers • Remote control with RedNet Control, and route via Dante Control
8 Channel Line Level I/O. Companion to the RedNet A16R, the RedNet A8R adds eight remote-controlled analogue channels in and out, plus two channels of AES/EBU I/O to any Dante audio-over-IP network. RedNet A8R includes full power supply and network redundancy in a compact, rugged 1U enclosure, and is designed for applications where high levels of reliability and adherence to redundancy specifications are required. These fundamental design cons iderations make RedNet A8R suitable for live sound and broadcast applications as well as educational and recording studio operation. Featuring Focusrite’s precision 24-bit A-D and D-A conversion, RedNet A8R delivers superb audio performance with 119dB dynamic range at standard sample rates up to 192kHz, with pull up/down, and ultra-low latency.
Dante stereo monitor unit
• Compact headphone amplifier/loudspeaker Dante stereo monitoring solution
• Powerful headphone amp suits high-impedance headphones
• Line output with mute switch
• Independent headphone/line output level controls
• Integrated dual-port Gigabit Ethernet switch
• Built-in mic stand mount plus non-slip feet
• Power over Ethernet (PoE) or external PSU (supplied)
16 channels of AES/EBU connectivity to and from a Dante audio network • Redundant Ethernet networking and power supply redundancy • Compact 1U form factor • 16 Channel RedNet AES3 Interface for Dante Network • Sample Rate Conversion on all channels • Input and Output on XLR as well as DB25 • XLR Input for DARS or Digital Audio • S/PDIF 2-channel I/O • Word Clock I/O • Remote routing and control.
16-channel bi-directional digital interface for Dante networks • Individual input and output channel level control using RedNet Control software. • Dual PSUs with locking IEC inlets • Dual locking etherCON connectors for Primary and Secondary network connections • Power supply and ethernet redundancy with auto switchover in case of failure. • Front-panel LED indicators for PSU, network, sample rate, signal present and clock source status • Sample rate conversion on all input channels • Two DB25 connectors with AES59 standard configuration; each carries eight channels of AES3 I/O • RCA connectors for two-channel S/PDIF input and output. • XLR connections for alternate AES3 I/O and DARS input • BNC connectors for Word Clock input and output • Compact 1U chassis allows maximum functionality in minimum rack space • Full operability with Focusrite RedNet and Red interfaces, plus all Dante devices from hundreds of manufacturers • Remote routing and control using RedNet Control and Dante Controller
Pro Tools® bridge linking Pro Tools|HD and the Dante audio network • Up to six HD32R units can be used with a Pro Tools|HDX system for a full simultaneous 192-channel I/O configuration • Behaves just like a conventional Pro Tools interface and can be used with both older Pro Tools|HD systems and the very latest Pro Tools|HD Native or Pro Tools|HDX systems - and alongside existing Avid or Digidesign interfaces. Of course the same network can connect RedNet interfaces with both Pro Tools and with other DAWs for maximum flexibility • Redundant Ethernet networking and power supply redundancy • Compact 1U form factor • 32 channel Pro Tools|HD Bridge • Mini Digilink connectors • Compatible with Pro Tools|HD, Pro Tools|HD Native and Pro Tools|HDX • Add Dante to Pro Tools|HD, or Pro Tools|HD to Dante.
8-channel remote controlled mic pre and A/D • Redundant Ethernet networking and power supply redundancy • Compact 1U form factor • Dual input impedance • Local or remote control of mic pre parameters via RedNet Control, Pro Tools and MIDI • Best-in-class Focusrite A/D conversion up to 192kHz • Comprehensive indicators including OLED gain and system info display • Dual outputs for each preamp; direct and automatic level-compensated • OCA Control compatible - available in future firmware update.
2x2 Dante™ interface with Red Evolution mic pres, stereo line out and a stereo headphone amplifier
Housed in a 1U rack-mountable enclosure, the third-generation 18i20 boasts extensive simultaneous I/O comprising eight mic preamps, 18 inputs and 20 outputs in total. Take your studio to the next level with the 18i20, offering superior sound quality, talkback functionality and onboard speaker switching. Improved A-D and D-A conversion ensures your recordings and playback will sound clear and pronounced up to 24-bit/192kHz, vital to helping you perfect your mix. The Scarlett 18i20 features eight of Focusrite’s best-ever-performing third-generation Scarlett mic preamps: with optional Air setting to reproduce the Air effect of their original ISA mic preamp, giving your vocal or acoustic recordings a brighter and more open sound. There’s also a pad on every mic preamp to accommodate higher-level signals without clipping. The two front panel high-headroom instrument inputs allow you to record guitars and basses without any clipping or unwanted distortion.
The third-generation Scarlett 18i8 is the perfect audio interface for recording engineers and producers who need to adapt to their recording environment, wherever they are. It offers eight analogue inputs: four mic/line inputs, two high-impedance, high-headroom instrument inputs and four additional fixed-line inputs on the rear. An optical input allows for expansion of up to eight additional channels for larger recording sessions. And with improved A-D and D-A conversion, your recordings and playback will sound clear and pronounced up to 24-bit/192kHz, vital to helping you perfect your mix.Scarlett 18i8 features four of Focusrite’s best-ever-performing third-generation Scarlett mic preamps: with optional Air setting to reproduce the Air effect of their original ISA mic preamp, giving your vocal or acoustic recordings a brighter and more open sound. There’s a pad on every mic preamp to accommodate higher-level signals without clipping.