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AMT  350
App 514-721-1518   
The AMT 350 studio microphone is designed to record vocals and instruments on analog and digital formats. A cardioid pattern used in front of guitar cabinets, acoustic guitars, vocals, and acoustic instruments the AMT 350 is engineered to capture the most natural sound from the source that AMT is known for.
AMT  404
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Overhead Microphones sold in pairs. The AMT404 is cardioid microphone designed for live sound reinforcement and studio applications. The 404?s can withstand high sound pressure levels (SPL). They have an extended frequency response which make it ideal for recording musical instruments as well as choirs, speech, and vocalist of all types.
AMT  97-4C
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The AMT 97C & 97-4C (Set of 4) Drum microphone. Designed, manufactured by hand, and distributed by Applied Microphone Technology in the USA. The system is available for order in a one microphone setup (97C) or a package of four (97-4C).

Applied Microphone is known for the most natural sounding instrument microphones on the market. The 97C is no exception demonstrating yet the most focused and natural sounding drum and percussion microphone hand made by AMT to date. Known for its clarity, excellent transient response, resistance to feedback, SPL handling and ease of operation, the 97C is aimed for mic'ing drums and percussion instruments with the utmost of clarity.

The 97C is newly designed incorporating an integrated clamping mechanism which can accept all types of drum...
AMT  B811
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The B-811 Condenser Microphone operates without a transformer and has an extremely flat frequency response which is contoured for overhead configurations. When used in pairs, it enables them to accentuate cymbals accurately, while allowing for a good rejection rate outside the perimeter.
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The AMT ERTS is the second generation percussion microphone system from AMT. Designed, manufactured by hand, and distributed by Applied Microphone Technology in the USA. The ERTS is a mini condenser microphone for professional live and studio use. The ERTS qualities include a natural & even reproduction of sound, resistant to feedback, with high SPL tolerances.

The system comes with one AMT microphone with Iso-Ring technology, an AMT inline preamp (phantom power required), and a clamp to fit onto various percussion and even the ropes of hand percussion instruments.

The ERTS incorporates a flat frequency response which allows the microphone to
reproduce percussion instruments as natural as possible. The inline preamp can be placed on the floor, a belt c...
AMT  M51
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The M51 has been designed for bass drum but works equally well in other applications such as boundary layer micing (conference, stage). The M51 is a bold new direction for microphones incorporating integrated circuit technology, an interchangeable chip which allows for multi-purpose use, and emulates many popular microphones with the advantages of its ultra compact size.
AMT  P800
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The AMT P800 Trumpet microphone system is the only system on the market specifically made to handle the highest SPL levels that a trumpet can reproduce. The element, somewhere in size between a small and large diaphram is hand made by AMT and larger in size than AMT's other system which allows for even the loudest of trumpet players to not overload the microphone.
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Complete multi- purpose true diversity wireless microphone system for soprano, alto, tenor, and bari, saxophone (Includes Q7 AA powered clip-on transmitter, true diversity 99-channel receiver, AMT Ta6 double saxophone microphone, rack-ears and extension cables.
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The S15G is a low-profile condenser microphone that has a cardioid pattern which gives it better gain before feedback than most guitar microphones on the market. The element as well as the mounting clamp is designed for the instrument. AMT designs microphones for each instrument and does NOT adapt elements or mounting gear to fit instruments.
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The S25B is an electret-condenser microphone that has been designed for acoustic bass. All of the parameters that are problematic for the double bass have been addressed. To be able to get the most gain before feedback it uses a very tight pattern to give a high rejection to surrounding noise, at the same time reproducing accurately the subtleties of the bass.
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The AMT TA2 is a low profile double condenser microphone that attaches to the bell with a low mass clip specifically designed soprano saxophone. The microphone provides pure tonal reproduction while being unobtrusive. The TA2 is an excellent choice for soft to moderate music. A Perfect choice for principal artist or soloist.
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The VS is a ultra miniature, feather weight low profile condenser microphone specially designed for the Violin, Viola, and Mandolin. The microphone attaches to the Violin, Viola, and Mandolin with a clamp designed for be solid on the instrument without harming or dampening the natural sound or vibrations.
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CLARINET, OBOE, ALTO FLUTE & BASS FLUTE DOUBLE MIC SYSTEM. AMT WS double clarinet microphone is the perfect choice for the player that needs control of there volume in a belt pack style setup. Excellent choice for soft to loud music. Principal artist or soloist microphone setup. Both microphone's are suspended in a 4 point isolation ring reducing key and handling noise.
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The AMT Z1 hardwired single microphone made for flute. Formally the Z7. The Z1 is the perfect choice from soft to louder playing applications. It can be used for featured soloist to micing a section of flutes. The AMT Z1 single microphone gets the most gain before feedback. The system comes with the microphone, special low mass flute clamp, and preamp